TA G E X .. In the world of mobile DJing, the arms race for the best lighting has shifted signif icantly over the past couple of years. For a long time, the overriding focus was entirely on speed and movement - who had the fastest pan and tilt or the sharpest gobos. 82 As the market for premium events, corporate functions, and high-end weddings continues to expand, a new trend has emerged in the form of scenic lighting.

Clients are no longer just looking for a simple light show to blast out across the dancefloor; they are seeking a complete aesthetic that complements their premium decor, up-market furniture, and floral arrangements. When ADJ announced the Vintage X, it immediately caught my eye. It didn't look like a standard par can, a typical wash light, or a standard moving head. Instead, it looked like a serious piece of stage architecture.

Having spent some quality time with this unit both in my office and out in the field, I have put together a deep dive into why this might be the most important addition to your rig this year. First impressions matter, especially when you are investing your hard-earned gig money into new kit. Out of the box, the Vintage X feels substantial. Weighing in at 8.2kg, it has enough heft to feel professional and rugged without being a literal pain in the back during load-in.

The housing is a robust, all-metal construction, finished in a matte black that feels ready for a life on the road. The package includes an IP65-rated locking power cable, which is a high-end touch for any fixture. While the light itself is rated IP20 for indoor use, the decision to use locking power connectors - including both in and thru sockets for easy daisy-chaining - shows that ADJ is targeting the professional, road-ready market. Looking at the physical design, the octagonal shape is not just there for show.

It features a clever lock system built directly into the edges, allowing you to securely interlock multiple units together. This allows individual lights to be turned into a massive, modular honeycomb wall or a high-impact blinder array. For a mobile DJ, the inclusion of Omega clamp receivers on the back is a real gamechanger. While the clamps are sold separately, having that quick-release mounting option means you can click these onto your trussing or goalpost stands in seconds, rather than faffing around with traditional nuts and bolts in the dark.

The magic of the Vintage X lies in its dualpurpose design. It isn't just one light; it is two distinct systems working in harmony within an intriguing reflective silver. ADJ VINTAGE X The background eye-candy ef- The light offers fect consists of 64 vibrant 3W DMX channel RGB LEDs. Rather than pointing from a simple directly at the audience, these for basic control LEDs are arranged around the 218-channel perimeter to illuminate the texest mode, every tured, reflective silver backing. s This creates a soft, textured glow individually rather than a piercing beam.

The lighting designer colour mixing is superb, offering mapping, this is a variable white colour tempera- You could ture range from 2,700K right up intricate, to 10,000K. This means that if across the face you need to match the warm white of a traditional ballroom However, when or the cool daylight of a modern profile onto my corporate lobby, you have the troller, I found granular control to do so easily. all the profile too large for In testing, I found the colours rect memory. to be rich and dynamic, with the download the silver backing adding a premium wanted, and shimmer that you simply do not get from a standard frosted For my lens.

This works perfectly with 42-channel the foreground tungsten punch, locks setting which is provided by four 60W control to amber LEDs. terns without console. These are the heart of the vintage name. They output a warm The fixture is 2,000K glow that emulates oldmodern wireless school tungsten blinders flawing Aria X2 lessly. When these are engaged, the light simply oozes luxury.

They are incredibly powerful, contributing to a total fixture output of up to 8,000 lumens. From an optical standpoint, the Vintage X is designed for massive coverage. It features a 140-degree beam angle and an even wider 150-degree field angle. This ensures that even a single fixture can wash a significant portion of a stage or a backdrop with light.

Before taking any new gear to an event or wedding, I always run it through its paces in the office. This is where I encountered the only real challenge of the Vintage X, which is its sheer depth of control. ADJ VINTAGE X ADJ VINTAGE X a staggering ten which is ADJ's latest system for modes, ranging cable-free DMX control and re- 10-channel mode mote fixture management. It is up to a massive also Bluetooth and RDM compatmode.

In that highible, meaning you can tweak setsingle one of the tings, update firmware over the and 4 amber LEDs is air via the Aria X2 app, or change controllable. For the DMX addresses without ever who loves pixelneeding to touch a ladder. an absolute dream. spend hours creating One of the more professional animated colour chases features I noticed while scrolling of the fixture. through the digital OLED display was the ability to select differ- I went to load the ent LED refresh rates, ranging Wolfmix W1 confrom 900Hz up to 25kHz.

For DJs that downloading who work with high-end videogoptions was simply raphers or live-stream their sets, the controller's dithis flicker-free performance is I had to go online, essential. Furthermore, ADJ has specific profile I included six user-selectable dim sync it manually. modes and four dim curves. This is vital because the amber LEDs purposes, I found the are so punchy. mode to be the Goldi- - offering enough By choosing the right dimming create stunning patcurve, you can emulate the slow, overwhelming my lazy fade-out of a real filament bulb, which adds to that premium, vintage feel. also packed with tech, supportwireless management, For high-energy moments, the electronic strobe can fire anywhere from 0.1Hz up to 20Hz, providing a completely different texture of energy compared to the sharp, cold white strobes of a standard moving head.

I took the Vintage X out to a recent high-end wedding to see how it performed in a live environment. The setup was a sleek, minimalist DJ booth, and the Vintage X was positioned as a scenic focal point. Because those amber LEDs are so bright, I found I had to make some dimming edits on the fly to ensure I wasn't blinding the guests during dinner. But once the party started, the built-in programs for both the foreground and background LEDs were a lifesaver.

Even if you aren't a DMX wizard, the onboard manual control and primary and secondary modes allow you to get a synchronised, professional-looking show running in minutes. The reaction from the guests was immediate, and it quickly became a real talking point. It doesn't look like a standard DJ light; it looks like a piece of high-end stage scenery. In an industry where many DJs have very similar-looking setups, having something that looks like it belongs on a television set helps you justify a higher booking fee.

84 The ADJ Vintage X is a specialist tool that carries a premium price point of around £520 per unit. This pricing reflects its professional positioning, and if you are doing standard pub gigs or low-budget parties, these units might be overkill. However, for a wedding DJ or corporate event specialist looking to pivot into the luxury category, these are a mustconsider investment. They provide a versatile mounting experience with Omega clamp receivers and an excellent interlocking system, alongside advanced wireless control via Aria X2 and Bluetooth.

While the high DMX channel counts can prove to be a bit of a hurdle for compact lighting controllers, the dual-layer eye-candy effects and the robust, all-metal housing are absolutely exceptional. They deliver a unique blend of old-school aesthetics and cutting-edge tech that generates a serious wow factor. The Vintage X has certainly earned a spot on my wish list for my rig, and it is a fixture that doesn't just provide light - it provides an experience that will undoubtedly help you stand out and define your brand.

ADJ VINTAGE X ELEVATE EVOX J9 Whether you’re DJing, playing live, performing on stage, consistent. Choose EVOX J9 (2100 W) or EVOX J11 (3500 W) JMIX 9 featuring an integrated 8 channel stereo digital mixer black or white, EVOX J delivers quick deployment and high-level rcf.it EVOX J YOUR SOUND EVOX J11 or hosting a corporate event, EVOX keeps setup fast and results for true three-way performance, or expand your inputs with the EVOX and remote control app.

Free-standing, elegant, and available in power wherever the music takes you. #ExperienceRCF